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Dating fender silverface showman reverb

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Summary The Pro Reverb is one of the beloved 40W 6L6 working horses.It has the same 2×12″ speaker configuration as the Twin Reverb but has a less powerful amp.It has half the number of power tubes, smaller transformers and a tube rectifier in stead of diodes.Together this makes the Pro Reverb break up significantly around the usual volume level 4, while the Twin Reverb is clean almost all the way up.The following chart, was originally printed in VG magazine, by Gerald Weber.If you see any data that is not listed here or notice any errors, for 1970’s and earlier Fender amps, please send us an email and we will update the chart.The Vibrolux is quite similar to the Pro Reverb 2×12″ except for the smaller speakers, output transformer and power transformer. 10″s provide a more scooped, responsive, punchy and sparkling sound than 12 inch speakers.

dating fender silverface showman reverb-11

From your description the amp sounds like it may be a '68 (first year of production for this model) but I'd have to see the cosmetics in detail to confirm this.

Bias: Fixed, adjustment pot or balance pot Rectifier: Solid State Comments: A master volume was added in 1972.

Other late seventies circuit changes included a Line Out jack, hum balance pot, and a pull boost sw.

In modern times where low wattage breakup has become desirable, the Pro Reverb has become very popular.

The 2×12″ speaker configuration can deliver lots of punch and powerful mids that cut through with a good sound spread on stage.